Switching – “Switching to channel (number)”.Switch to 2 – “Switch your walkie to channel 2”.Standing by – “I’m waiting for further instruction”.Stand by – “Please wait, I’m busy right now”.Stepping off – “I’m leaving set / I’m off walkie”.Traveling – “The person/thing you asked for is coming now”. Eyes on – “Has anyone seen (name)? / “I’ve got eyes on (name)”.Over – “End of sentence, you’re free to respond”.Go again / Repeat that – ‘I didn’t catch that, can you say that again?”.Here’s the main lingo you’ll hear and use frequently: Sarah AD: “Go for Sarah AD” Walkie Talkie Lingo Code Wordsįinally, it’s time to get schooled up on your walkie talkie lingo, so you’ll be confident on how to use them next time you’re on a film set. Sarah Producer: “Sarah Producer to Sarah AD” If members of crew have the same name, it’s good to use their title when addressing them You should begin with your name followed by the person you’re trying to reach.įor example Natalie the Producer, is addressing Chris the AD: The first thing to learn about walkie-talkie lingo is the way to address someone. Walkie talkie is working before you hand it over to them. Expect to give up your walkie-talkie for someone senior or a Head of Department where required. Learn crew members voices to identify which department might need help at anyįurthermore, respect the hierarchy of crew. Get to know their voice, listen for their cues and leave channel one clear. Abusive and offensive behavior is never OKĪfter all, the 1st Assistant Director’s job is to keep everything on track through clear, regular communication on the walkie-talkie.Think before you speak – remain professional, you may have clients on.Lose the attitude – even under pressure, remain calm.Be courteous with your walkie talkie lingo. In addition to my previous point, be mindful of how you conduct yourself with your walkie talkie lingo. Listen & wait before you reply – Don’t cut someone off and always acknowledge that you understood.Be clear and keep it short – Don’t waffle on, be sure about what you’re saying.Speak at a moderate volume, you’ll soon be told you’re too quiet/loud.Hold the mic 3-5 inches from your face to avoid a muffled voice.Wait a beat before you talk to allow the connection to be established.So, here are the key instructions to follow: In contrast, if you’re walkie-talkie lingo is clear and concise over the radio, it’s going to make you seem more professional. Muffled sentences that are cut off and long-winded chat are all no-nos when it comes to walkie-talkie lingo. Your mic should be clipped to a lapel or collar so it’s within reach for you to respond, with the right walkie talkie lingo, quickly.Īround trying to locate your mic when someone is calling for you isn’t ideal. Specifically, you should run the wires up the back of your shirt so the earpiece tracks over your ear correctly. Secondly, tuck those wires away, because loose wires are dangerous. Walkie Talkie Top Tipsįor clothing without a waistband, invest in a good utility belt that you can clip your radio to.Īdditionally, this doubles as a handy place for Sharpies, petty cash and your phone. You down and you’ll spend the entire shoot constantly hitching up your trousers Because attaching a radio to baggy clothing weighs Should get it set up right from the start. Get frustrated with a poorly fitted radio very quickly. Generally, these tend to come with the walkie unit, but you may want to invest in your own.įurthermore, when you’re on a shoot that’s more than one day, keep hold of your radio until wrap – especially, if you are using an earpiece.Īdditionally, you should practice good hygiene and always remove your earpiece if you’re handing your walkie talkie to someone else. Obviously, when recording sound on set it’s important to use a headset/earpiece. Each radio is different, although generally, they all have the following features: Get Familiar With The Walkie Talkie Handsetįirstly, get to know which buttons do what. As well as an explanation for some of the walkie talkie lingo you’ll hear frequently over the radio, and what it all means. Therefore, we’ve created some key do’s and don’ts to give new filmmakers some guidance. They’re a fundamental way to communicate with the crew on set, however, there isn’t much training on how to use them. Walkie talkies are a key piece of film equipment. We look at walkie talkie lingo, radio etiquette and how they should be used correctly on a film set.
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